Both my sculpture and my painting have always been influenced by architecture, but my first exposure to the work of Gordon Matta-Clark changed the way I think about architecture fundamentally. His sculptural work was not only about architecture, but it used existing architecture as its medium much like a stone carver used a block of marble as a medium to carve a statue from. For Matta-Clark, the house itself was the medium to be used to create the work.
For some reason, my brain has always thought in terms of architectural spaces and I think that Matta-Clark’s rupturing of those spaces exposes a lot about the psychology of the public and the private. In all of the apartments I have ever lived in, I’ve realized that the layout had a utilitarian purpose. The bathrooms line up with other bathrooms because of the plumbing and the bedrooms line up with other bedrooms for sleeping purposes. That means that in your apartment, on the other side of your bedroom wall, you may very well be sleeping literally two feet away from someone you don’t know, which has always been something I’ve had to tell myself is perfectly normal when I still think it’s creepy.
Although this video is filmed in silent Super 8, it does capture the hard work involved in cutting an actual house in half and then lowering the back half a few inches so that the entire thing opens up.
Another thing that I find interesting about this piece is the fact that he cut the four corners out of the house before it was finally demolished… The major point of the entire artwork is the fact that it existed outside the museum, but these were the the few things that the museum could keep as souvenirs, or possibly the “scalps” of the house that was to be demolished within weeks of the completion of the work.